A NATURAL HISTORY OF EMPTY LOTS

As I’ve mentioned elsewhere, I’m delighted to share the news that my new book, A Natural History of Empty Lots—”a genre-bending blend of naturalism, memoir, and social manifesto for rewilding the city, the self, and society” forthcoming in October from Timber Press, an imprint of Hachette Book Group—is now available for preorder.

Drawing from the material I have been developing in Field Notes, the urban nature newsletter I’ve been publishing since 2020, A Natural History of Empty Lots is the record of my twenty-year experiment exploring, living in and documenting the edgelands where human cities and wild nature collide.

It’s nature writing, but not by a professional naturalist—I am a dystopian novelist, a lawyer, and a dad whose children helped him rediscover the outdoors without leaving the city.

The book tries to break through conventional ways we experience and think about nature, starting with language and narrative inversion. It seeks out the wild in landscapes marred by human industry, and finds portals to escape the alienated haze of everyday life.

It’s hopeful, but provisionally so—documenting the remarkable resilience of nature and finding paths to a greener future we each can help achieve, while reckoning with the incapacity of human power structures to get us there.

Here’s what some of the early readers had to say:

A loving, deeply pleasurable, and sprawling investigation of place, community, personal history, and larger contexts. A Natural History of Empty Lots  has the shape and liveliness of something organic, as if it has grown out of the neglected, teeming hidden places of the landscape Brown knows so well. An incredible book.”

Kelly Link, Pulitzer finalist, MacArthur Fellow, and award-winning author of The Book of Love

A Natural History of Empty Lotsis the best and most interesting book I’ve ever read about the spaces we often overlook. Christopher Brown comes to these places with a deep curiosity and understanding of both human and nonhuman history. An instant classic.”

Jeff VanderMeer, New York Times bestselling author

Too often, what we call ‘nature writing’ is nostalgic for what never was. Thank goodness for Christopher Brown, who sees the wonder in what is and what might be. A Natural History of Empty Lots is the nature writing we need now.”

Michelle Nijhuis, author of Beloved Beasts: Fighting for Life in an Age of Extinction

And today through Friday, the book is one of the 2024 titles featured in Barnes and Noble’s preorder promotion this week—25% discounts for B&N Rewards & 35% for Premium Members (PREORDER25 at checkout). I’m honored to have my book in such great company in the Nature category—a bird book by Amy Tan (!), a collection from the amazing Atlas Obscura, hiking diaries from Annie Dillard, and whole lot of wolves and owls with their own books. And I’m especially excited to be on the page with Camille Dungy, whose talk I’m planning to hear this weekend while we are both passing through Des Moines during the local poetry fest, and whose new book Soil sounds incredible.

A wider array of preorder links is available at my main page for the book.

As a special preorder promotion, I’m going to be sending out a print version of the newsletter with content not available elsewhere—outtakes from the book, both text and photos, entirely new material, and probably a map and some drawings. If you’re interested in getting a copy of that, just email me your preorder confirmation at chris@christopherbrown.com along with your preferred mailing address. The response thus far has been so enthusiastic I think I’ll do the first installment sooner than I had planned, and follow it up with one or two issues before publication day on October 15.

Thanks to all of you for your support with this project and my earlier work. I’ve been hunkered down writing this one for the past couple of years, but plan to be more active here and on social media now that I have emerged from the bunker.

The Joy of Weeding

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There was a really annoying feature in this weekend’s Wall Street Journal, headlined “Backyard to the Future,” about the author’s joy in bathing his backyard with wifi and layering it with networked gadgets—riding mowers with streaming television, surround speakers, yard work robots, and of course the “smart grill.” The image that illustrated the story showed an entire neighborhood of 8-bit sims experiencing the outdoors through a digital frame. It reminded me of the ad campaign the National Park Service did a few years back that used cartoon computer animals to try to encourage kids to check out the parks.

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The American lawn is the enemy of nature, and reprogramming our obsession with it is maybe the easiest possible way we could begin bringing back the American wild—in part by reframing the way we each experience our daily relationship with nature, from holding it at bay to letting it thrive.

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I spent my youth, and a decent chunk of my adulthood, as a servant of the American lawn—that emerald expanse of invasive ornamental turf cut to the length of Dobie Gillis’s hair, an idea we acquired from our earlier Americans who wanted to emulate the pretentious gardens of European nobility (without remembering that what the nobles really loved were their private primeval forests). I paid for my first illegally procured six-packs with money from mowing lawns, as a young slacker drafted into the war against grass ever being allowed to grow tall enough to actually propagate seeds. This job also involved pulling weeds, which in the case of my Midwestern boyhood were probably the remaining native plants trying to survive the ecopocalypse of the tilling of the plains. And in my first houses in Texas as a young dad myself, I kept mowing, and raking leaves—even complying with the ridiculous mandate to put the leaves in big brown bags for municipal haul-off.

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It’s now been ten years since I mowed a lawn. When we moved here to the house we built at the edge of the urban woods, behind some factories, we let the yard go wild. Not quite as laissez-faire as that sounds. The lot was a brownfield and a dump site. It was bisected by a petroleum transmission pipeline that had been abandoned in place fifteen years earlier, and littered with massive quantities of construction debris—piles of concrete and rebar dumped at what used to be the edge of town. It was already wild and unmowed, but mostly conquered by invasive grasses. So after we got the oil company to take its pipeline out, and a built a little house in the trench from that excavation, we put a green roof on the house and reseeded the yard with the plants of the Blackland prairie—the native grassland that once ran in a wide band from north of Dallas to north of San Antonio, 99% of which has been destroyed by agriculture and development. And words cannot really express how immediately this undertaking filled our world up with new life.

Fuck backyard wifi.

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Maybe it’s not for everyone. There are a lot of snakes. As in, coral snakes at the door when you come home from the movies. A big green snake wrapped around the mesquite tree by the path from the car. Occasional biblical infestations of millipedes. Enough mammalian wildlife for the dogs to regularly show up for breakfast with blood on their snouts (sorry, nature). Once in a while a hawk will chase its prey right into the living room window, because it doesn’t even recognize the house—the roof of which looks like a wild field—as a human habitat. Our yard is full of life. Real life, life that is indigenous to this place, mostly, as we actively cultivate an ever-increasing biodiversity in our own backyard. A spring filled with butterflies, baby birds, a menagerie of weird bugs. A human dwelling where wild nature is invited to grow right up to the door, and does.

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This approach to the outdoor garden involves a lot less work than a conventional lawn. There is no mowing. Once in a while I might break out the personal flamethrower and burn a patch. But mostly, come spring, we have to do a brief but intense season of weeding. Because the invasive species are all around us, destructive imports just like us, their seeds on the wind and the bottoms of our shoes and the tires of our cars, and maintaining a healthy balance a mere decade into our effort at developing a self-sustaining successional prairie restoration takes some active intervention. The weeds come in early, before winter is over—the cheat grasses that grow in big clumps, crowding out the native flowers; the beggars lice and mutant dandelions and imitation winecup that, if allowed to propagate, will fill the yard with burrs and thistles and extinguish most of the habitat.

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Weeding is an outdoor activity that gets little respect. As a kid, it is pretty much the most sucky thing you can be ordered to spend your Saturday doing. As an adult, it is generally framed as the most demeaning of labors. Real landscapers wield chainsaws, axes, or sharp clippers. They move dirt, and train trees. They don’t get down on their knees and pull baby plants from the earth for long hours under the hot sun.

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I do, and I love it. Maybe I love it because of the rewards it brings. Because of the way it gets me out there, free from active thought under the blue spring sky. It’s close-up work that lets you get a much deeper understanding of the ecology of your yard, of what’s really going on, how the species interact, compete, cooperate, kind of like the way detailing your car or taking it apart and putting it back together is the only way you will understand what it really is. It is a Sisyphean task, one that will never really be finished. But when you do it, and see the results of letting the species that belong here come back, you understand that it’s the path to a healthy future, more so than any quant-driven efforts to reengineer the house’s patterns of consumption. Wild landscaping generates energy, rather than consuming it. You only need to apply a little labor.

At least around here, more and more people are trying to do similar projects. I hope it spreads. It’s one way to begin to remedy the problem that we are the principal invasive species.  

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A Natural History of Empty Lots

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My story “A Natural History of Vacant Lots”—really a piece of speculative nonfiction—is now available at Texas Architect and in print in the magazine’s September/October issue.

The Los Angeles Public Library has an interview about Tropic of Kansas up at their blog—some great questions that really bit into the material.

And the September 15 issue of the Times Literary Supplement has a roundup of new American dystopias, including Tropic of Kansas, remarking on the book’s “thriller-ish swagger,” “the rather richly imagined wasteland of [the book’s] mid-America,” and it’s “Twainian journey downriver to the Missisippi’s end,” and even pulling out Roland Barthes to explain the book’s narrative strategies for world building.

Texas Architect: “A Natural History of Vacant Lots”

Los Angeles Public Library: Interview with an Author: Christopher Brown

The Rule of Capture

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The Rule of Capture,” my contribution to the debut issue of RECKONING, the new journal of sf-inflected writing on environmental justice from the amazing Michael DeLuca, is now available online after originally appearing in print last winter solstice. The piece is about foxes, realtors, and the future—a somewhat experimental bit of narrative nonfiction that blurs into fiction.

The Rule of Capture” — Reckoning magazine.

 

Where nature meets noir

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I remember a guide once told me that beaver only became nocturnal after the arrival of European hunters. I don’t know if that’s true, but I do know that there are a lot of wild animals living in the heart of the city that only come out while most of us are sleeping.

We live behind a row of light factories that shield a stretch of riverfront woods from human attention, a slice of ephemeral urban habitat. At night we hear the mysterious hoots of the big barred owls that live back in there, the howls of the coyotes, the crazy skronks of the big herons. In the mornings when I walk the dogs after sunup, we see the fresh tracks in the sand of all the critters that have just passed through, and sometimes we see who made those tracks.

The human space on the other side of the hurricane fences that hem in the factories is just as wild, and one of the things you learn over time is that a lot of those animals living in the woods head out into the city to hunt while we are sleeping. Scientists have tracked the coyotes who have colonized Chicago, and I have seen their Texas cousins at the edge of downtown Austin, trotting across the railroad tracks and down alleys. They say that urban raccoons are rapidly evolving to be more intelligent than their country cousins, as they solve increasingly challenging puzzles we make for them, like how to use your proto-hands to pry open a big plastic trash bin secured with bungee cords. If you spend enough time walking back in the woods behind the factories, you start to see the little portals the wild animals travel through to leave the woods and enter our zone of food—the bent-back corners of chain link, the drainage pipes, the spaces under the gates designed only to lock out people and trucks.

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The other morning when I walked out onto the street at 4 a.m. to exercise the dogs before our early flight, there was a big semi parked along the lane, engine idling, waiting for the door factory to open for deliveries. The trucker was in there, sleeping, right by the gate where the foxes pass in and out of urban space, squeezing under the gate and through the bamboo curtain along the old roadbed to their dens back in the bramble around the drainage pipe. Sometimes we see their bushy tails in our headlights when we come home from an evening out. I wonder what they hunt in the spaces between the warehouses, after we go to bed.

That morning we didn’t see any foxes, just a free dog trotting under the streetlamps in front of the electric church. A yellow retriever mix, a color that registered luminescent in the weird municipal light.  My dogs didn’t see it it, and it didn’t seem to see us, which was fine by me under the circumstances.

We often see strays in the woods along the river, usually from afar, sometimes awfully close.  They always seem to avoid contact, and move like apparitions—through a gap in the foliage, walking along the distant bank, crossing the shallows.  Only occasionally will one approach you, and when you “rescue” a dog like that and take it to the adoption shelter, you wonder if you have deprived it of a liberty it enjoyed.

Our street is crazy beautiful at night, where nature meets noir.  That morning the sky was clear, with a crescent moon and Venus nearby in the western sky. The street is a vestigial remnant, once the road to the ferry at the edge of town.  It’s wide and straight, three long blocks, dimly lit, with beat-up metal prefabs on one side and a few houses tucked into the woods on the other. When I looked back to make sure yellow dog was not following us home, it was sitting right in the middle of the road, perfectly still, looking right at me.

Just then a raptor flew from one of the lampposts through the beam of the streetlamp, swooping for something in a neighbor’s yard. You could just make out the red of the hawk’s tail feathers for a moment before it went back into shadow. I wonder if the avian hunters have come to enjoy the light pollution of the city, the way it keeps the empty lots glowing like a dark room where someone has left the TV on.

After I put my dogs back in I took one of the leads and stepped back out to see if the dog was still there, but it was gone.

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Fiber hawk

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We live at the end of the road in an industrial part of East Austin, but the road used to continue on, following the course of the Lower Colorado downriver to what used to be the bigger towns like Bastrop.  While the old road is now an empty lot that abuts the woodland floodplain, it’s still right of way that’s used by telecom infrastructure, the line of poles marching off along the trail of the past.  I read last year in Tung-Hui Hu‘s amazing book A Prehistory of the Cloud how something like 90 percent of the Internet traffic in the U.S. travels over fiber optic cable laid in old railroad right of way, and I’m sure there are plenty of other spots where data travels along the path of pioneer trails, many of which were Indian trails and before that animal trails.  Google Fiber has been coming out here lately in their big cherry pickers, hanging new line on these poles, which they share with TimeWarner and probably AT&T and the local power company.  The ethereal future is anchored in the deep memory of the land, and sometimes even makes inadvertent habitat for the wildlife it might otherwise displace.

The hawks that live in these woods love those telecom poles, and you find them up there most mornings from daybreak until the beginning of the work day.  Their favorites are back in there past the door factory, where the right of way runs along the fenceline of the dairy plant. Between the plant and the woods are ten acres or so of empty fields, bulldozed thirty years ago for the industrial park but never developed. Dudes come in and mow those fields twice a year, keeping the baby mesquites and retama from taking over.  Most of the year, there is just enough cover for small mammals to think they can probably make it through, but always patchy. And so the hawks watch, and wait, and feast, while the trucks and planes come and go in the near background of the human space on the other side of the fence.  They never let a dude with dogs get too close, but close enough that you can usually make out the silhouette of what they may be holding in their talons—usually mouse, rat, or vole.

The pole in this picture is right by my front yard, visible from the door to the 1978 Airstream trailer that serves as my home office.  So I often see whoever may be perched up there, and usually have ready access to my real camera, the one with better zoom than my phone.  I have yet to succeed in getting my shot without causing the raptor to fly off after a second, but I’ll get there.  It’s been raining all week, a freak occurrence for Central Texas in August, so I was hoping the downpour would better mask my simian stumbling.  It did, but not enough.

The empty lot next to that pole sold last year, and the construction supply warehouse back in there just got listed for $11.6 million.  Just west of here, Oracle is building a gigantic new campus.  The economics are finally approaching the point where the numbers will work for a gigantic dairy plant to get relocated to make room for offices or apartments.  Some of us work on protecting these little pockets of wild urban habitat, and we’ve had good success, but even if you keep the buildings back along the road you can’t really do anything to limit the human bustle—indeed, those of us who live back in here are the most permanent human presence, even if we try to make our own yards into better habitat.  So some of the species will move on, like the barred owls that hang out in tall trees just below this pole, where the city drainage culverts empty out into an Anthropocene lagoon that nourishes the thirsty cottonwoods.  Maybe we should see if Google and Oracle want to chip in for the conservation efforts.

Yesterday afternoon when I got up from my desk and the downpour had settled into a light rain, I heard a coyote howling back there in near-perfect sync with a police siren hurtling down the nearby highway.  I guess that is as close as we are going to get to talking to each other, for now.  But our Anthropocene future is going to require us to learn how to make better home for wild nature in the city.  We could start by remembering that there is no such thing as an empty lot.

 

Looking through holes in the border wall

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[pic: The U.S. border where it walks into the Pacific, viewed from Tijuana.]

If I had never left Iowa, the state where I grew up, I might find all this talk of building border walls more persuasive.  Iowa is a long way from Mexico. But I’ve lived in the borderzone longer than I’ve lived anywhere else, and spent a good bit of time crossing over. Since 9/11, I’ve seen the U.S.-Mexico border become one of the most fortified places on Earth.  Six hundred miles of sophisticated new physical barriers have been constructed since 2006, in the places where the Border Patrol said they were needed, expanding on the barriers that have been going up since the Clinton years—like the fortification pictured above that comes up out of the Pacific between Tijuana and San Diego.  Other sections are fortified by the “virtual fence” of sensors, drones, blimps, surveillance towers and armed patrols—much of it using technologies and methods developed in Iraq and Afghanistan.

It’s easy to talk about border walls.  I’ve written about them—here, here and here—arguing that their real purpose is not so much to actually keep people and contraband out as it is to persuade citizens far from the border that the legal fiction the wall renders tangible really exists.

It’s not as easy to look at border walls, especially if you don’t live within driving distance of one—or don’t want to confront the reality that diversity is the future no matter what barriers we may erect.  But there are other ways to experience the reality of U.S. border fortifications that already exist.

Last year, for a conference in Monterrey, I conducted an experiment in looking at the border wall without ever getting up from my chair.  Drawing inspiration from the work of the artist Jon Rafman and the Mexican photographer Alberto Rodríguez, I traversed the length of the border in Google Street View, on both sides, looking for holes in the wall.  Here is some of what I found.  Even better, try it yourself.  Open Google Maps, find a spot along the border, launch Street View, and look for a way to cross.  If you can find a hole, click on it, and see what happens.

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Border wall gate at Brownsville, Texas

 

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21st century border wall as minimalist land art, looking at Arizona from Sonora

 

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Hole in the border wall, Matamoros

 

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View through the border wall, Mexicali

 

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Texas backyard: trampoline, border wall, nine eyes

 

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FM 1419, Texas

 

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Border wall gate, Arizona

 

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Forager in the shadows by a crack in the border wall at Matamoros, Gateway bridge span in the background

 

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DMZ of “Friendship Park,” San Diego Imperial Beach, looking at the border wall where it goes out into the Pacific

 

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Spectral street dog in Tecate, “Pueblo Magico”

 

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Under construction, Arizona

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Nogales, pedestrian crossing

 

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Arc lights over the border zone, suburban San Diego

 

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Nogales, long view

 

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Art museum with border wall, Texas

 

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Memorials to a few of those who didn’t make it alive

 

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Arizona DMZ, at the spot where this Border Patrol officer made the Google car turn around.